Hey All!!!
So, I've transitioned over into my new HR role and was thinking on how difficult change and taking chances can be - both when it comes to your everyday life and your writing life.
Change is scary. Hell, fear of change or of taking chances is often the reason a person decides to pull out on a work project, promotion, on selling a writing project, or anything else that could have a positive impact. This is especially difficult when that change carries a certain amount of risk with it. But what most individuals don't remember when in the midst of change is that even though it's difficult to go through the fire - to willingly submit yourself to the harsh realities of the world - the end result is so worth it.
I didn't go searching for this new role, it just fell into my lap. But it did take a leap of faith and persistence on my part to get it. I had four different interviews. And I was sure, more than sure, that I had completely bombed each of those meetings. There were more than a few times when I wanted to give up and stay where I was comfortable, to stop pursuing something that I knew would make me happy for fear of failure and of how it would change my life. Now that I'm here and can look back on my journey, I can't help but to feel extremely lucky that I didn't give up.
I'd like to believe that my writing journey will be the same. It's scary to work towards publication, to really strive for it in spite of the likelihood of failure. But I know that the rewards I'll get for all of my hard work will be more than worth it. I just have to get through and keep at it - and to not be afraid of the changes and transitions along the way.
Happy Writing!!!
Saturday, February 16, 2013
Monday, February 4, 2013
DIET COKE VS. PEPSI
Hey All!!!
In the past week I've had two different responses to my story from editors for independent presses. These got me thinking on just how subjective this whole writing business is.
On the one hand, an editor decided to pass on my work. The email was full of praise for my writing ability and skill, but the editor didn't fully connect with my main character. She felt that Jazz was a bit too reckless for her liking and not well-rounded enough. All in all the email was a good one. I mean, if you're going to get rejected you want to hear that you're doing good job at your craft while experiencing it. But in the end it still was a no.
Not even twenty-four hours later I got notes from a different editor. In this case, I'm a finalist in a contest for Children's Brains Are Yummy books and a part of that process involves having one of their editors do line edits on your entire manuscript before posting a portion of it to be voted on by the public. At the beginning of my editorial letter, one of the first things he said was how he enjoyed the fact that Jazz was such a well-rounded character and how he could relate to her conflict.
Two editors.
Both specialize in Young Adult/Middle Grade fiction.
Both read the same book.
Two differing reactions to my main character and the conflict she faces throughout my story.
When it comes down to it, a large part of making it in this business is being lucky enough to find the editor or agent who can understand the particular song you're singing. Sure, having the talent and a killer storyline is also key, but that lucky meeting with someone who can see your story for the awesomeness that it is...well, that's like finding a long buried treasure.
So when you get those rejections don't fret. It may having nothing to do with your actual writing ability - and everything to do with the fact that you sent the editor/agent a story that was Diet Coke, when s/he prefers Pepsi.
Happy Writing!!!
In the past week I've had two different responses to my story from editors for independent presses. These got me thinking on just how subjective this whole writing business is.
On the one hand, an editor decided to pass on my work. The email was full of praise for my writing ability and skill, but the editor didn't fully connect with my main character. She felt that Jazz was a bit too reckless for her liking and not well-rounded enough. All in all the email was a good one. I mean, if you're going to get rejected you want to hear that you're doing good job at your craft while experiencing it. But in the end it still was a no.
Not even twenty-four hours later I got notes from a different editor. In this case, I'm a finalist in a contest for Children's Brains Are Yummy books and a part of that process involves having one of their editors do line edits on your entire manuscript before posting a portion of it to be voted on by the public. At the beginning of my editorial letter, one of the first things he said was how he enjoyed the fact that Jazz was such a well-rounded character and how he could relate to her conflict.
Two editors.
Both specialize in Young Adult/Middle Grade fiction.
Both read the same book.
Two differing reactions to my main character and the conflict she faces throughout my story.
When it comes down to it, a large part of making it in this business is being lucky enough to find the editor or agent who can understand the particular song you're singing. Sure, having the talent and a killer storyline is also key, but that lucky meeting with someone who can see your story for the awesomeness that it is...well, that's like finding a long buried treasure.
So when you get those rejections don't fret. It may having nothing to do with your actual writing ability - and everything to do with the fact that you sent the editor/agent a story that was Diet Coke, when s/he prefers Pepsi.
Happy Writing!!!
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